impermanence

Nobukho Nqaba: impermanence and migration in performance art

When it comes to migration, nothing is certain: no one knows when he/she will arrive or how long he/she will stay. The art of Nobukho Nqaba tells us stories, both visionary and real, about what is transient, destined to end. Nobukho was born in Butterworth, a small rural city in South Africa’s  Eastern Cape. When she was six, she had to migrate within South Africa due to family issues. In this interview, she tells us about her performances that convey through her own body and presence – and often through the famous “Ghana must go home” – a sense of identiy, loneliness and otherness.

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