“Mental Mess”, the generation that dreamed of peace and freedom

“[…] for pieces of me are everywhere… and in everywhere… are their names… the ones who faced death and still breathing… the ones who faced death and got the likes of me choking for air ever since… But yet… In everywhere, there are still dreamers I know will create realities my mind can’t yet comprehend… I mean, even babies are born fighting… resisting… hands in fists… so here is to the generation that dreamed of a better nation… dreamed of peace, justice and freedom…” Those are Rajaa Bushra’s words for the young sudanese revolutionaries. A revolution that in Rajaa – and many others – has brought a never healed trauma.

Overcoming post-conflict trauma with art: three African case studies

In volatile environments such as conflict-torn North Kivu, post-genocide Rwanda, or Sierra Leone, experts and humanitarian aid workers are now employing art to support the treatment of mental health conditions caused by violence. In many areas of the African continent, people with psychological illnesses lack effective therapeutic support – left alone in dealing with the sickness and forced to fight every day against the stigma. In these circumstances, art therapy can represent an important ally to cure pathologies such as PTSD, depression or nevrosis.

Applying musictherapy to human health, an experience from Africa

Music has always been part of Nsamu Moonga’s life, a young African musictherapist working in Boksburg, South Africa. A passionate student of music and psychotherapy, he decided to offer his skills – and his vocation – to the community. He works with children and young people at risk, in schools and in public institutions. Confident of music communicative and healing capacities – and of the diversity within the continent to be treasured -, he works connecting practice and research, enhancing African traditions and music.

Nobukho Nqaba: impermanence and migration in performance art

When it comes to migration, nothing is certain: no one knows when he/she will arrive or how long he/she will stay. The art of Nobukho Nqaba tells us stories, both visionary and real, about what is transient, destined to end. Nobukho was born in Butterworth, a small rural city in South Africa’s  Eastern Cape. When she was six, she had to migrate within South Africa due to family issues. In this interview, she tells us about her performances that convey through her own body and presence – and often through the famous “Ghana must go home” – a sense of identiy, loneliness and otherness.